Nazis! They’re able to be pretentious and profound on entirely their own terms, rather than seeming like mouthpieces for middle-aged screenwriters. Or, in summary: what the hell is going on? All the more important since the first season’s five half-hour episodes don’t provide enough room for Bethan’s arc to fully take shape, moving her only a short way down the path toward maturity and ending just as she’s starting to assert herself at school, harnessing her way with words to run for student body. Regeneration! As they search for the little girl, Amy quietly brings up the idea of somehow neutralizing the “spaceman” in 1969, thereby saving the future Doctor. He’s a maverick ex-F.B.I. The realistic harassment suffered by the Black residents of a boarding house in a white neighborhood, for example, is thrown into even sharper relief by the mutilated ghosts who stalk its halls. I can’t wait to see where the rest of the season takes us. on. Close-ups of the white walls of a diner that was previously welcoming of Black customers reveal scorch marks that were barely painted over, telling us all that we need to know about how the locals here felt about integration. Eventually, they begin to lash out at harassing whites, who are so used to the power dynamics of American society that they’re almost too stunned at the backtalk to be enraged by it. The Doctor seems to be steeling himself for something when, out of the blue, River spots an Apollo astronaut standing… well, impossibly… in the lake. No matter what delusion or altercation Trina involves her in throughout the show’s first season, Bethan always comes back, taking on a responsibility that she never asked for and shouldn’t have to handle on her own. Shaun Emery (Callum Turner) is a British soldier accused of killing a member of the Taliban during a tour of duty in Afghanistan after the man had already surrendered. In Florida, the Doctor, Canton, and the others find themselves exploring a deserted building containing both strange alien machinery and apparently stolen Apollo spacesuits. Bethan’s occasional voiceover narration is an inconsistent element of the series, but her self-aware commentary is a welcome counterpoint to her infuriatingly self-sabotaging behavior. may be self-aware, but Next the series rarely is. Hardly a cowed victim, but shaken and traumatized, Arabella reevaluates and rebuilds her life after her attack. The boy seems volatile and strange, in ways perhaps explained by the sensory overload of his POV; he’s an observer and there’s almost too much to observe, with dialogue and actions often carrying on out of frame. And he is most certainly dead.” With a handy boat and a can of gasoline provided by the old man, they give the Doctor a Viking-style funeral in the lake. program known as Next achieves self-awareness and sets its sights on destroying humanity, beginning with a doctor (John Billingsley) who discovers its true intentions. She’s… packing. Amy is trapped in a quarantine facility for victims of an alien plague. She leaves, never to be seen again. Sarah’s departure scene at the end was a wonderfully poignant moment at the time, and is even more so now. The series is certainly committed to the slow burn, with too much of its running time given over to Sam’s punchy befuddlement as he tries to separate dream from reality. Steven Cooper. Is there a connection to the little girl in the spacesuit? As Lovecraft’s influence on horror continues to grow in the decades since his death, artists have attempted to reckon with his racism and xenophobia, namely by recognizing that the pagan cults and corrupted humanoid monsters that make the author’s work so chilling also provide insights into his pathological hatred of the Other. What’s the deal with the Apollo spacesuit, anyway? 7/13 The Doctor assembles an alien army to fight the Battle of Demon's Run. If she doesn’t always know how to balance that responsibility with everything else going on in her life, at least she’s approaching every new setback with appealingly mordant humor. She’s also nursing a desperate crush on Poppy (Zadeia Campbell-Davies), the popular girl at school. These individuals, with their Aryan features and stiff countenances, never betray any emotion or urgency, for they know that they live in a world where they can have whatever they want. Published. Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys STARmeter Awards San Diego Comic-Con New York Comic-Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events The Silents look like an alien version of Men in Black. 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The Silent that Amy confronted in the bathroom told her she must tell the Doctor “what he must know, and what he must never know.” What’s all that about? 4/13 By following a Time Lord distress signal, the Doctor endangers Amy, Rory and the TARDIS. And in a small, mysterious role, Ron Perlman revels in a sense of understatement, suggesting a bored, bureaucratic comfort with authoritarianism that’s both eerie and funny. “You can only do this when you’ve got evil computers coming after you,” Shea’s husband, Ty (Gerardo Celasco), solemnly tells their son at one point when they’re forced to steal a car while on the run from Next. Despite a premiere that augurs poorly for its broader narrative arc, Discovery’s third season at least momentarily succeeds in thinking about undiscovered things to come. Longer, structural flashbacks in many episodes challenge our perspective on Arabella’s present and often serve to undermine our presumptions about victimhood and blame. 1/13 Amy, Rory and River mourn the Doctor, but are soon plunged into an adventure. Shaun and Rachel are ciphers with stock backstories, and the show’s dozens of other characters often fit into easily recognizable archetypes, from the jealous sidekick to the estranged, earnest wife, to the icy authority figure with shady motives. With the exception of a Skynet joke in the second episode, the series takes its subject matter very seriously, even when Next’s actions are particularly silly, like spreading office gossip or delivering petty insults. The series jumps almost immediately from Paul’s dire warnings to the threat itself materializing in grand fashion, as an A.I. For example, Sarah’s remark to Jenny (Faith Alabi) about respecting faiths other than the base’s dominant Christian demographic gains a patronizing quality when we learn that Jenny is Danny’s mother and that he’s experimenting with the Islamic faith that she left behind, seemingly at the behest of her domineering husband, Richard (Scott Mescudi, a.k.a. The old man identifies himself as Canton Everett Delaware III—and shows River a TARDIS-blue envelope like the ones she and the others received. Conversations that were tangential and difficult to follow for the easily distracted Fraser are given clearer focus due to Caitlin’s more confident, pensive demeanor. The stories have suffered as a result, with the prequels transforming Star Trek from a kind of sci-fi anthology about the ethics of encountering difference into an action franchise whose main purpose is producing content to fill in supposed gaps in the established universe. The series invigorates its material with the rousing trappings of a semi-comedic western. Further slowing down the momentum is the show’s structure: The first three episodes (gathered together as “Summer”) are separated from a second set of three (“Winter”), in which another outsider (Naomie Harris) traps herself on Osea by a single linking episode (“Autumn”), which is planned to screen live from London in early October. Rather than the scientific and political perspectives of Komatsu’s novel and its previous adaptations, however, Japan Sinks: 2020 takes a markedly more personal viewpoint of the mixed-race Muto family and the companions they pick up along the way. Chanan’s concerns, though, aren’t existential ones, as he’s fashioned a murder mystery that laboriously connects modern surveillance to social media, war crimes committed in the Middle East, rising notions of fake news, and whistleblowers like Edward Snowden—all of which are referenced explicitly in the show’s dialogue. Brown doesn’t want to negotiate, nor does he want to begin an incremental process toward change: Black people must be freed now, or else he’ll shoot—and often he does. Moreover, Discovery clearly intends Book to serve as a foil to the long-collapsed Federation and its values, but he doesn’t seem much more morally ambiguous than many of the dodgy Starfleet characters we got to know in season two, nor does that contrast reveal much about the Federation. Can Rory save her? In the first episode, “Eyes, Eyes, Eyes, Eyes,” we join the Ghanaian-British Arabella (Coel) as she returns to London from Italy, where she’s been working on a follow-up to her published collection of social-media musings, Chronicles of a Fed-Up Millennial.
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